Paris, Palacio d'Abraxas
| Ricardo Bofill's first architectural work in Paris gave him the idea to focus working in a style based on fascist monuments. His vision was of a pre-fabricated building technique, using components from past architectural syles, creating an intimidating monument, which was subsequently used for oppressive sci-fi films such as "Brazil". |  |
Ricardo Bofills erstes Bauwerk in Paris brachte ihm den Vorwurf ein, sich am faschistischen Monumentalstil zu orientieren. Er träumte von einer preiswerten Fertigteil-Bautechnik mit Elementen der Architekturgeschichte, und schuf dabei ein einschüchterndes Monument, das für beklemmende Science-Fiction-Filme wie "Brazil" genutzt wurde. |
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